OWWO is an AI-native studio that embeds as your dedicated creative arm for web3 ecosystems. I co-founded it and designed the full brand identity and visual universe.

Brand identity for Starknet Foundation. BTCFi Season drives secure, scalable Bitcoin DeFi on Starknet. I handled the visual system to make it feel bold and ecosystem-native.

Basecamp by Starknet Foundation mentors web3 teams and builders. It uses generative pixel patterns and dark mode, with participants earning dedicated NFTs. I created the brand and visual system, plus the NFT designs and illustrations.

Starkfest is EthCC's reset moment, a spot to network and catch live music. It's an invitation to "enjoy the moment." This project led me straight to a brand design role at Starknet Foundation.

CVF empowers entrepreneurs with sustainable, tech-driven projects. It fuels Carinthia's ecosystem with innovation and talent. I designed the brand identity to feel sharp, forward-looking, and regionally rooted.

Startup House is Starknet Foundation's fast-track accelerator. Early-stage teams with live MVPs get intense mentorship, tech dives, GTM fixes, and investor intros. I built the full brand and visual system: modular, color-swap expandable for new editions. Bold, memorable, daring visuals to push developers outside the box.

Premium speaker brand from Norway, founded by four audio innovators pushing boundaries in pro sound. I created a Brand Identity and Naming that transmit experimentation and daring explorations. NNNN represents audio waves.

Medialab Prado acts as Madrid's public R&D lab, building community solutions through dialogue and tech. I designed a new identity around an open grid that holds infinite patterns, representing collaboration. The system feels organic and grows with the community.

Really is the NTT-Data content agency, spanning illustrations, infographics, video, and more for brands. I defined the naming and visual universe. The name "Really." lands as a confident statement, a final, proud solution. For the visual, I used holographic stamping to create the metaphor of everything, capturing that polished creative output.

2020: a year to erase. For COTEC Foundation for Innovation, I designed a sustainable annual report with heat-erasable blue tint. Readers wipe it clean with any laser printer. Simple move that turns the book back into blank paper, reinforcing real commitment to circular economy and innovation.

I created Laforge Stencil, a font inspired by space exploration, from 2001: A Space Odyssey sci-fi to NASA's Cassini-Huygens mission. It's a tool to stencil our future in the stars.

Art direction and illustration for Pajaro Sunrise's album "The future is not what it used to be." I shaped the visual world to match the music's reflective, forward-leaning vibe.